in the eighth release from detroit ­based underground techno record label blank code, audio injection provides three well­crafted tracks in the style he has become widely known for. with this ep, audio injection cements himself as a cornerstone of blank code after previously offering up a remix on bcr001 mutate circle 1 & his original version of null on bcr005.

an album with a high crossover appeal. maybe best described with kate bush meets autechre.

the third album by lily allen as heavyweight 180 gram vinyl lp, cd-copy with bonus track included.

rene bourgeois and andy kohlmann are striking back on rennbahn. packed with catchy melodies, a fat powerful bassline and deep vocals they created a perfect mixture of open air and club sounds. philip bader comes along with a huge remix. in combining the intense mood of the track with some dark vocals, hes pushing you directly forward to the top of the dance floor. a quite more experimental remix is given to you by bruno pronsato – for lovers of the classic minimal stuff. early support by: dubfire, anja schneider, hot since 82, super flu, blond:ish, yousef etc.

wolfram says: i started to record the track cant remember when i was in africa and some riots happened in egypt in 2013. it was a weird time so it turned out to be a dark tune with robotic vocals. i recorded the vocals for the track talking to you when i was on tour with andy butler in the hotel room on my macbook air. basically its him saying this beat is talking to you and i recorded some burp sounds on the flight and train home. i invited him to my home studio to change the demo vocals, but he felt asleep on the chair next to me. so, i thought maybe i should just the use the demo macbook vocals.

confidently striding into his third musical decade, luke solomons influence stretches far and wide across a scene that has been embedded in his dna since the early 90s. now harnessing that wealth of experience and unmatched passion for music, solomon presents his next undertaking, positioning himself as the dj/shop assistant/curator you always dreamt about

talented chicago producer chris e. pants presents his disco credentials for inspection on this his debut release for file under disco. 1981 is an original slice of synth & piano led disco music that conjurs up memories of legendary producers like patrick adams, shep pettibone and chaz jankel amongst others. remixes come courtesy of fellow chicago house producer the black madonna who holds onto the disco vibes of the original while heavily dubbing it out for the dance floor. while on the flip, disco deviants, pete herbert & dicky trisco, take a more balearic inspired, hands-in-the-air disco trip that will please djs and beachcombers alike. some people call it disco.

just two wonderful vinyl only remixes! dreamy & moody, for those moments like rising or setting sun, perfect for the coming open air season.. no digital sales, promotion or sharing! 180gr vinyl, antistatic innersleeve, shrinked

deepe housegrooves aus griechenland

dont sleep: kick the fakers balls! wake up and trust your soundsystem. trust your speakers and trust your ears! bleeps and basses,decent kicks and a little bit more of dirty noises are enough to keep a dancefloor under invisible water movin like young dolphins hunting a seahorse! wolkenfetzen (innerbeauty mix): emotional content is here the headline, this is a roland jx 1 session with romantic pads and classic house basslines, the bouncy kicking electribe beats waiting for the open air season as introduction and as a perfect outro ending in a loop of birds!

kel, aka elias landberg of skudge, with 3 analogue techno cuts for the 6th release on 7777. sci-fi acid from the future or the past?

when berlin meets bucharest, you get the real magic in electronic music.trin limited brings in front, with the first release, a harmonious and energetic blend of techno and house with a specific romanian air, that surrounds this electronic music time scene. our very first trin ltd release features two romanian up and coming producers, vinyl speed adjust - having already established themselves with vinyl releases on diferrent labels. with one original track: *not so sure* a hypnotic tech-house groove and a moody yet stunning remix done by none other than vera heindel (mara trax). on the flipside we have two trin regulars - diferit, stepping to the plate with *grey venues*, a dreamy, breaky affair and lumieux with his *luftrack*, a dramatic microhouse piece in which you will have the oportunity to stimulate your senses. vinyl only!

i-boat captain returns to iib with a real gem of a tune. major spam is a chugging nu kraut dub disco bomb. driving drums and relentless bassline wrapped up in swirling synths and delayed vocals. almunia beef up the tempo and the kick, adding their trademark guitar melodies. tiedye turn major spam into an big piano balearic house monster ready for some hands in the air moments. finally on the remix our friends up north last waltz create a beautiful lush disco synth chug out. the extra track on the b side poly punk is a slo mo acid treat. squelching 303 underneath a delayed picked guitar and a soaring pad. balearic acid dub style.

new jerseys finest returns to ovum alias free. having been contractually locked down in 2011 harry romeros previous philly outing came under his secretive vaggio pseudonym. the air of mystery surrounding the artist frustrated and excited in equal measure and yet refreshingly freed the ep of any preconceptions. this was after all a debut release, right? the response was overwhelming and lit the touch paper for what was soon to be harrys return to his beloved raw house beats.

jbla came into being after julian jöckel (midnightopera) and stuart argabright (ike yard, black rain, o13) performed at a party in brussels on the 5th of oct. 2012 on invitation from bernardo risquez & michael langeder (different fountains). they all had met for the first time the year before through michael kreitz from meakusma when different fountains & o13 played concerts in eupen. after staying at different fountains studio the day after the brussels event they set up a rather improvised jam session. julian played synth on a yamaha dx7, bernardo worked the low frequencies on an old eminent organ while michael contributed machine sounds and took care of the live fx engineering. stuart put together some words and brought a beat to the occasion of the jam session at the df studio. during the short euro tour with ike yard, l.i.e.s label head ron morelli and artist svengalisghost came to the paris show and were talking with stuart about the streetwalkers of belleville, specifically the sad chinese hookers out on the street. combined with news about recent foxxconn workers suicides in china and witnessing altercations close to the air bnb where he stayed. the belleville ep are two cuts from that session with remixes from ron morelli + svengalisghost and vereker, pressed on translucent vinyl.

legendary label large music returns with the 6th installment of their vinyl series showcasing a quality four track pack. side a dives into the deeper side of house with exclusive tracks from james dexter and talented duo purple velvet. side b goes straight into thumping house territory with a killer remix from montel on matthias vogts wobble track and finished off with a 4/4 stomper from legendary artist steve mill. get large!

nice price deal !!! one sweaty hot week in july 2013, untold ripped into creating his new album, black light spiral, having discovered a land so full of jolts and thrills that the beats wrote themselves and the sounds just kept on coming. the final 40 minute, 8 track album, is as true to the furious and fiery journey untold (aka jack dunning) personally went on as you could hope for. it is unhindered, spontaneous and completely raw. as perfectly imperfect as a trip like this should be. and youwill be left gasping for air.

a heavy, heavy remix package here from hypercolour. step forward bonobo, kowton and dark sky, who all contribute stellar remixes of maya jane coles dont put me in your box ep, originally out in 2011

crown, french beatmaker, member of the grim reaperz collective (enemy soil affiliate) exclusively presents its two first brand new titles taken from its next beat production album *pieces to the puzzle* scheduled to air february 3rd 2014. these two titles are a collaboration with rasco, member of the cali agents and belgium artist scylla with whom crown has realized number of smashing hits in france including the world famous clash video *emcee versus beatmaker*. crown is introducing his new opus with two titles *ecrans de fumée (smoke screen)* and *pieces to the puzzle* available on 12 inch lps and limited to 300 copies, all numbered, with and instrumental as well as acapella version all in bonus!

ike yard came into being as no wave passed on, industrial was in the air and proto-techno had yet to be coined. propulsive, paranoid, aggressive electro minimalism, with as much attention paid to the mixing board and effects processors as to vocals, guitar and synth. at once starker and more fully-formed than virtually all other contemporaneous post-punk music. desires 2012 edition represents the first ever vinyl reissue of this classic, prophetic album. the line-up for the third remix ep includes a great deal of diverse music.
this is a 12 inch vinyl release, limited to 500 copies. grey vinyl, black inner-sleeve. artwork by stephen americh, inspired by the factory america design for ike yard…

vessel no 6 is airborn and your cabin crew serves you three gems on wax, road-, air- and space- tested throughout the last six months. a1 is a straight groover with an undeniable feelgood vocal, carfully rearranged for your dj needs. first officer nebraska joint ventures the record on b1 with an emotional, ever building piece of jazz funk and reminds us once more of how the art of editing has to be approached. with so much hoopla already going on, b2 leans back, happy to strip it all down and hitting us with a break that starts, floats, and then, lucky audience, just dont stop. dont stop, dont stop, over and out.

the balls are rolling, the caller has been summoned… eyes down ladies and gentleman for the marx trukker. a for you b for me goes flat out from the get go, trukker bringing forth dub, attenuating heavily bound techno under the sherman filter plough - sleek yet lo-fi sound design, infectious electronic folkart.

dville is the first single from the upcoming full length album reality is what you can get away with. dville is a return to a sacred recording place, omniscient recording studios first in berkeley and now in oakland, california and a collaboration between long time friends matt nee and josh tonnissen as kompvte and inspired by natural beauty and open air mountaintop festivals

a column of bull ants moves across the rain forest floor, constantly moving limbs shift like the tidal flow of a river. each carries a large bright leaf in its mandibles maybe twenty or thirty times its size. the column swerves around a tendril-like air duct that services a chamber below. one strays too close and slips down still carrying its leaf. it flies down the air pipe and is projected into the interior of an anechoic chamber. beads of sweat ooze down bintus grizzled brow as he continues experiments into noiseless ultra bass. if applied correctly this acoustic energy can have devastating effects.

special remarks: ep with commissioned artwork by london based visual artist ciaran oshea, full color jacket. additional mixing on a1 and a2 by james aparicio (these new puritans, liars, spiritualized, factory floor, mute records).

italian dj legend dj rocca (from the infamous maffia club) joins forces with file under disco to produce a stunning ep of original new disco sounds. as one half of erodiscotheque alongside disco superstar dimitri from paris, and as a regular collaborator with danielle baldelli the grandaddy of the cosmic sound, dj roccas disco credentials are firmly in place. for this release, he captures the classic sound of disco funk on *love power*, but gives it a modern production twist and re-spins it for the contemporary dance floor. on the remix front, the one and only dimitri from paris rolls out one of his heavy-hitting, prelude-style nightdubbin mixes of *pizza on wednesday*, which will have your dancers beating the street for more. while dicky triscos dance floor intentions are obvious as he hits the boogie button with a hands-in-the-air retake on *a magical day*.

the a1, named after the release title, is a summer techno drive, or a ride through a hot landscape in central america, as the notes of marimba suggest. the subtle but crackling low toms reverb dictates the driving tempo, while the chasing hats warn of a night which is likely to be dirty and sweaty. ready 2 glow opens with an enlightening synth note softly spreading through the air. its the after-hour call, the quietness before a new storm, which is about to boost and bring to surface the spastic contradictions of the drug-based soul liberating after-hour scene. corners goes funk, the quirky and rugged bass line lays at the core of the groove. above, we hear a multitude of spooky sounds and samples ranging from flying saucer sonic surges to playful stabs and bongo madness. the obsessive vocal echo, manipulated according to the abuse of ifferent drugs, is a clear indication of that. alza pure quanto vuoi is almost taken as it was firstly conceived during a jamming session. its twisted, swinging, it breaks the scheme of groove flowing as the tempo suddenly escapes to a faster pitch, jacked out

for their sixth release, lets play house has headed down under to scoop up australias fantastic man, a second identity of dj/producer mic newman, with which the melbourne-based artist explores-and exposes-another side of his musical and stylistic skills. and the four original songs on the its essential ep most definitely mark a bit of a departure from newman’s trademark sounds: he has exchanged the thumping, peak-hour, hands-in-the-air chaos and messiness of hits like 2009s *sizzled sally* for a more refined and subtle breed of deep house.

hayat zor is a beautiful blend of rave-nostalgia, 80s electro-pop and italo, all shot through with a melancholic, wistful air. working with analog synths, vintage drum machines, live instrumentation, and the help of a few friends and collaborators along the way. encompassing four original productions, hayat zor is a collection on which emotional resonance and technical expertise sit side by side. the vinyl comes with download code for the full ep, including 2 remixes by gavin russom and petrels.

title track mira will be sure to make dancefloors move effortlessly with its euphoric, house-inspired synth stabs and throbbing bass progressions. last years impressive debut is set to be eclipsed by the forthcoming mira ep and welterweight is one reason why. boldly contagious,welterweights undeniable bounce is brought to life via sinister bass and humanized by the yearning vocals of baio, before the chorus makes for an all round hands in the air moment as an array of blissful synths and warped melodies take over.

limited edition of 300 copies on 180 gram vinyl.
a 4/4 grumble garnished with lashings of spruced creamy loose mousse, will stay (asleep) longs for grazing in yonder meadows. more dancefloor ammo a la gcw. flame serves as a constant shifting platform of rhythmic maneuvers. constrained compression builds into an alliance of syncopated pressure points, sliding along to a gliding and well-constructed industrial & yet haunting melody. lush. again. came as it went is almost retrospect in its deep house communication. collective thoughts solidify an incessant groove, pulsating and driving stylish hands up in the air shit with it’s muscular intro volve fattens out its thuds and relinquishes any timidness bound inside, then steady paces a woeful glow. the pitter patter of tiny cut ups emit misfortune for a heady array of beautiful feelings. the thumping work out of make it strips back to traditional wasserfall form, making fundamental elements count & creating that signature groove off. in tune and on point.

funky towns wide musical range means their ft005 work is perfect for both chilling at home and the next party in any worlwide place (club or open air). funky town music is proof of their finely tuned senses, it mirrors both the global audience it addresses and their very personal view of the world. delivering an intense and fantastically broad musical picture, where ep meets surround sound for body & soul!

if chicago and detroit are the cities in which house and techno were born and raised, it was in italy circa 1990 that this delirious party music experienced a piano-driven coming of age. so far, so spangled. but while that may be the official story, there are other italian narratives too. take francois le roy and nanni for instance - two djs and producers from southern italy for whom, in the early nineties, the likes of aphex twin, autechre and air liquide were important, alongside the machine funk of detroit and the immersive soundtracks of the ambient generation. both artists are steeped in underground club music, and their new release on shabby doll records is a fine example of tough, tech-edged house. the *crossing roads* ep features four tracks that showcase their melodic yet relentless groove, they may be based in milan, but on this record, the influence of detroit, chicago and new york runs deep.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #22 features the second ep from b.g. baarregaard, a wonderful producer currently residing in oslo, but who is never too far from the blue lagoons of his home in iceland. b.g. has produced three sublime songs. the sound is an acid freak out of love de-luxe. it grabs and loops, hooks and tugs at your ears, then feet until you, you know. on the flip, the return both promises and delivers a mark morrison had he stayed in miami rather than returning to england. b.g. uses the third song to showcase his own song and instrumental skill in the desire. there is a magic in the air, that keeps us dancing.

fresh new open air track by davis & dembowski. after the big success of 9 am they are back with their next massive release including remixes by patrick bateman (tic tac toe), nico pusch (damm rec.) and wolfgang lohr (ton liebt klang).

it is jam citys turn to deliver a batch of sweaty, streamlined dancefloor weapons on the 6th installment of the club constructions series. the minimalism and intensity of jersey club music remains a huge influence on the whole night slugs camp, and while jerseys impact can be felt across the cc series, jam city channels those devastating ghostly kick drums like none other. continuing on from where he left off with club favourites *the courts* the *how we relate to the body*, jam drops 5 lean and intense drum workouts build from scrap metal and primed for warehouse use. they move between thudding midrange persistence and just-sub-and-air minimalism, framed by jammed drum machine rhythms and splashes of re-sampled colour. jam decorates these sturdy and well-deployed undercarriages with silvery detail, percussion fragments, broken talkboxes, whispered vox and simple, beautiful chords.

last known trajectory proudly presents inkamera, the solo project of the multi-talented victoria lukas, who of course you may well be familiar with from her previous work as zerkalo, performing alongside the legendary gerald donald. here, the first inkamera release demonstrates victoria’s clear understanding of what constitutes a solid and balanced musical project – ‘superpartners (photon photino) ‘ and ‘&#1089,,,&#1084,,,&#1077,,,&#1088,,,&#1090,,,&#1100,,, &#1085,,,&#1077,,, &#1089,,,&#1091,,,&#1097,,,&#1077,,,&#1089,,,&#1090,,,&#1074,,,&#1091,,,&#1077,,,&#1090,,, (death doesn’t exist) ‘ are both pacey, electro drivers with a distinct european feel, the former being quite upbeat, while the latter rendering a slightly darker more sinister air. ‘i can speak’ provides a volatile contrast with its crazy, freestyle electro beats and rhythms, whilst both ‘human terms’ and ‘potentia’ showcase victoria’s quite distinctive, totally unmistakable, seductively hypnotic vocal to a backdrop of gorgeous electronics. a superb solo debut from lukas – let us hope that there are many more to follow.

more tracks selected by the running back head honcho, gerd janson, for our continuing music for autobahns series. this 12inch includes tracks previously only on the cd release plus some exclusives varied and roadworthy electronics that can also be used in cycle lanes and footpaths...tip!

while >sweet nothings< was a balancing act between clubsound and listening-electronica the duo is now turning its back on the dancefloor, to take the listener on an accustic tour through their personal amber room. with their chamber-electro mix, containing characteristics of dubstep, catchy pop-elements, classical string arrangements and and a singer/songwriter like intimacy, they achieve to create new sound-rooms

limited nice pice action
its been a while but now, finally, freedarich and stiggsen are back on freizeitglauben with more dreamy and dubby minimal entertainment. two tracks full of rich textures and subtle melodic seduction to pleasure your senses. and since the ep already miracously found its into the groove charts, it was time to finally release these amazing tracks to have a happy transition from the last open air afterhour to the upcoming autumn.

the new album by phoenix on 180 gram vinyl

we first discovered young glasweigian talent barrientos in 2012 via the always on point synthglasgow.com blog. his debut mix for them effortly mixed tracks from atjazz and matthew styles to loco dice, vince watson and steve rschmad and took the listener from the early bounce as the club doors open right through to hands-in-the air madness of a packed dancefloor. we loved it. he alsoreleased the good-time, sun-soaked sky ep (for free via soundcloud) around the same time and the quality of both his music and production really stood out from the crowd.

zoos of berlins sophomore album >lucifer in the rain< is an exquisite work of slanted pop and art-rock

pure records delivers again! aiming to touch both heart & mind. hello spring, here is your soundtrack! soulfood - supposed to be used to dance open air & under the moonlight

tolles release von leander janik und lilly mit sommerlichen remixen von arts & leni, bunched und airdice. ein absolutes must have für die kommende open air saison.

with our 9th release, the rasundas have graced lonesome hero with a double-sided ep of hypnotic, summer goodness. a proper, classic chugger, the a-sides feel the music fashions itself quite the speaker-warmer - an ideal weapon for crushing this summers lineup of open-air festivals. on the flip, wake the neighborhood fuses timeless funk bass with mesmeric string tones and jacking percussion to create a track reminiscent of a dj culture before the cult of personality.

describing mathias & marco (aka mule) is quite easy, these two freaky guys simply love what they do! in a world of selfmade cookies, glitter and confetti we only add a sixpack of beer, cool beats and the crazy party has already been started! well, life could be as simple as that when you just open your mind for a smile. with jeahmon!005 we represent this attitude to life and also say hello to >mr. & mrs. q< with their veeerryy warm re-edit on b1. love is in the air! so jeahmon! records really misses no sunshine this summer...

it is simply impossible to put a label on the sound of be svendsen. well, at least one thing can be said: his stylistic open-mindedness is just perfect for open air scenarios! seriously fun loving – that is the way in which the danish producer performs his signature sound juggling.